Skip to main content

Movie Review: Brave (2012)

Disney Pictures - Pixar Animation Studios
Runtime: 93 minutes
Rated: PG (for scary action and rude humor)
Directors: Mark Andrews, Brenda Chapman
Writers: Brenda Chapman, Mark Andrews
Starring: Kelly Macdonald, Billy Connolly, Emma Thompson
Animation | Action | Adventure

Brave is about young “Princess Merida” (Kelly Macdonald, voice) who defies the custom in her old-world Scottish kingdom by refusing an arranged marriage, preferring instead to live a care-free life of archery and riding through the forest without a commitment in the world. Her prodigious handling of a bow and arrow and her love for riding off into sunsets will rival her love for anything (or anyone) else. 

When the incessant pressures of her mother (Emma Thompson, voice) to grow up and become what is expected of a lady and princess get to be too much to handle, she heads out on her own in the woods and finds a witch (Julia Walters, voice) who offers her a chance to change her destiny.

But when embracing a changed destiny proves to be something much darker and altogether more sinister than she’d hoped, she finds herself and her family in crisis where her skills and insight can make or break an outcome for the better.

Brave is Disney Pixar Animation Studios’ 13th major animated production, but unlike Finding Nemo, Wall-E or Up, this one will have a much more difficult time in finding and holding its intended audience. In fact, it remains unclear who the prime audience demographic was to be, though the film seems to have been made with younger as opposed to older viewers in mind.

The story, just like the dopy humor and crudeness to go with, will make for a plenty difficult time relating to youngsters looking for the more time-honored guideposts in animated entertainment – such as, you know, ALL KIDS! – who naturally prefer simpler stories with identifiable morals and stimulation achieved by way of impression-making good guys and bad guys and larger-than-life plot-twists. We have none of that here. This just isn’t memorable. It is mostly just cheap stimulation.

But Brave isn’t the only animated film in recent years to have gone the way of fast and chock-full of disorganized (and needless) content, as opposed to instructional and meaningful with a bend towards fun. This is the type of film that just accepts that modern kids can’t slow down, but have to be visually titillated at every moment by something happening, although there are far worse offenders than this in that regard.

Brave has some of the qualities of a child’s movie and includes what adults would find amusing, but what it offers to each is not substantial enough to make it worthwhile. It takes an awfully long time for the story to move into anything even remotely worth watching, and even then, the plot just isn’t epic enough to stand on level ground with other great works we’ve come to know.

This movie had tons of potential and has perhaps the best voice-work (and voice cast) in recent years—all depressingly foiled by a plot that falls short of grand (and sometimes even interesting). The humor – with witches and their potion answering machines and other silliness might entertain grandparents before it would parents – will not appeal to most youngsters, not enough to keep them watching, anyway. At that, it is mostly just a distraction.

From what? Well, from the tale of a selfish girl who wants something more out of life, but comes to realize the best things are at home and are called family. Way to go for containing something that ties into family values in some way. But this largely uninspired work borrows a tad from Beauty and the Beast and ever more loosely from every single movie with a witch in it for the last sixty years, but without giving us the slightest hint of a budding “tall, dark, and handsome” romance.

When it is not being outright crude in trying to be funny, it ignores its own symbolism and fails to follow up on the devices and subtle plot-points that could have made it into something better. For example, there is a scene in which an angry Elinor throws Merida’s bow into the fire, causing the wayward princess to run off in a tantrum. How nice it would have been to have mom at some point surprise her with it at a later time, but instead, the movie just forgets about it and runs along in its own tantrum with Merida having her bow at various times when she needs it later on. 

The story suffers in more than a few ways – always from its own shortcomings in the scope of the writing – leaving us with a movie that isn’t a total failure (and is even emotionally touching at just a few places), but one that misses the super-high bar set in years past for truly great animated entertainment. This will not be joining the greats, which is a shame, since Merida has the making of one of the most outstanding animated characters with the charm to win a whole new generation.


Popular posts from this blog

When Jesus Turns Down the Glory: 10 Worst Ever Christian Songs

It’s a sad testimony when even the creator of a thing realizes that the product isn’t what it was intended to be. Well, actually it’s a good thing. It just doesn’t happen often enough. The Christian music industry is, shall we say, not up to par with where its admirers (and even creators and ardent well-wishers) would hope it would be. And when even the average believer realizes that their music is not market-cornering stuff, all should know that there is a problem.

Now not all Christian music sucks (you might even find a few rock songs from artists like Petra on Joe Holman’s ipod that he still sometimes listens to and enjoys), but what makes the stuff that does suck suck is that what sucks sucks for a number of different reasons. We begin the countdown going from best of the worst to absolute worst...

The Top 5 Most Powerful Beings in Sci-fi (Part I of II)

It’s a subject that is rarely tackled in any form outside of random questions on a message board, but here we will devote a sensible examination of it. Who – what – is the most powerful being anywhere in every realm of sci-fi or fantasy ever dreamt up by a finite human being? I’ve been contemplating this subject since I was 8 years old. At 39, it hasn’t left my mind. That means several things; (1) I’m a fucking geek. (2) I’ve invested enough of my life pondering this for it to qualify as an obsession.

As with all “Most” anything lists, we are faced with several problems, one of them being limited source material. A couple of these only made one or two brief appearances somewhere and that is all we have to go by. But sometimes, those situations let our imaginations go into overdrive and give us even more creative fun. The mystery tends to add to the experience of contemplation.

The Top 5 Most Powerful Beings in Sci-fi (Part II of II)

#1) The Douwds – From Star Trek The Next Generation

Claim to fame: This Douwd went from pacifist to mass murderer of 50 billion in a single moment of anger. He appears to hold the record for most murders in all of sci-fi.
Abilities: Just about unlimited.
Nature: True immortals.

Our winner, debatably edging out number #2, is a mysterious race of beings called the Douwds. We only get to meet one of their kind in a single episode (#51, season 3 - see the condensed version here) called “The Survivors.” It was one of the very best of any season. What little we know of this illusive race “of disguises and false surroundings” only adds to our fascination with them.

When the Enterprise gets an urgent distress call from a federation colony on Delta Rana IV about an attacking alien warship, they head over as fast as they can, but they are days away. By the time they arrive, it is too late. All are dead and the planet has been literally leveled…with the sole exception of one house and the small pa…