Summary: A young woman becomes obsessed with having slept with too many men and seeks to make one of her old ex’s “the one” for her.
At this point, Ally goes on a quest to get in touch with
several of her flings to re-ignite some old sparks (to avoid increasing her total by hunting fresh game). Her desperation doesn’t bother her as much as it does the audience. Making this worse is the fact that she lives across the hall from a young man, “Colin” (Chris Evans), who looks all of dippy, immature, playful, and photoshopped. As it turns out, he can’t stand the woman in his life.
After expressing that they are never, ever in a thousand worlds going to be right for each other, Ally and Colin agree to work together to find the men she is looking for and to help him get rid of the woman he doesn’t want in his life. It’s a criss-cross sleaze contract between two beautiful people. Just guess where things go from here.
In a clearly cheap, Cosmopolitan Magazine, girl-bachelor-party sort of way, What’s Your Number? tries to represent a woman’s search for a man as a wanton mission, filled with grief and heartbreak. You don’t need a movie to tell you that sharp-looking guys will break hearts. That makes most of this romantic crap superfluous right there.
Few straight men can relate to McHale, and a lot of men don’t like women who look like Ally and yet groan inside for not having found “the right guy.” Everyone can relate to the loneliness of being dumped or else lost in the endless search for companionship. What they don’t care for is those in the dating game who don’t know what they want, such as people like Ally who can have everything.
The film has very little respect for the women it wants to relate to and not a lot more respect for the men. This is why it throws in as many sexual details as it can, including shots of guys smelling their fingers after sexual encounters. It figures, the raunchier, the better--cheap, sex-obsessed, college-age pandering is the way to go when you lack a fresh story.
It does have a few good comical skits that take the viewer by surprise (but do not watch the trailer if you want to see these because it gives away most of them). There is even a wholesome message about being yourself and pursuing what makes you happy. But mostly, it’s just more of the same romantic comedy junk we’re used to.
How much appeal can a movie really have with two unsatisfied people who are both good-looking and can get anyone they want? The performances here are so very medium-grade. So how are viewers supposed to relate to this? By appealing to the young, pretty, full of booze, and half-stupid crowd, that’s how.
And that, of course, becomes the two’s predicament with an agonizingly predictable outcome; these two have to search high and low to make sure they’re both satiated with each other before they will consider committing—because like the dogs they are, it doesn’t take much for this breed to find some excuse to put themselves “back on the market” and resume the futile search. Almost pathetic.
Grade: C- (2 stars)
Rated: R (for sexual content and language)
Director: Mark Mylod
Starring: “Ally Darling” (Anna Faris), “Colin Shea” (Chris Evans), “Daisy Darling” (Ari Graynor), “Ava Darling” (Blythe Danner), “Roger the Boss” (Joel McHale)
Genre: Romance / Comedy